Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the head-footer-code domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/html/wp-includes/functions.php on line 6114 Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the wordpress-seo domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /var/www/html/wp-includes/functions.php on line 6114 Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/wp-includes/functions.php:6114) in /var/www/html/wp-includes/rest-api/class-wp-rest-server.php on line 1893 {"id":254,"date":"2017-02-03T00:00:00","date_gmt":"2017-02-02T21:00:00","guid":{"rendered":"http:\/\/localhost:8071\/ozgun-baski-sanati\/"},"modified":"2017-02-03T00:00:00","modified_gmt":"2017-02-02T21:00:00","slug":"ozgun-baski-sanati","status":"publish","type":"post","link":"https:\/\/www.meraklisiicin.com\/blog\/ozgun-baski-sanati\/","title":{"rendered":"\u00d6zg\u00fcn Bask\u0131 Sanat\u0131"},"content":{"rendered":"

\u00d6zg\u00fcn bask\u0131n\u0131n genellikle, tuval resimleri gibi orjinal oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmez. Oysa ki \u00f6zg\u00fcn bask\u0131 teknikleri de t\u0131pk\u0131 di\u011fer resim sanatlar\u0131 gibi farkl\u0131 bir \u00fcretim arac\u0131d\u0131r. Sanatsal bask\u0131da olu\u015fturulan yaz\u0131lar ve resimler \u00e7e\u015fitli malzemeler ve farkl\u0131 teknikler kullan\u0131larak \u00e7o\u011falt\u0131l\u0131r. Bask\u0131 \u00e7ok eski y\u0131llardan beri kullan\u0131lan bir tekniktir de\u011fi\u015fip geli\u015ferek g\u00fcn\u00fcm\u00fcze kadar gelmi\u015ftir. Bask\u0131 dedi\u011fimiz \u015fey ayn\u0131 par\u00e7alardan defalarca ve seri halde \u00fcretme i\u015flemidir. Sanatsal bask\u0131 di\u011fer bask\u0131 t\u00fcrleri ile kar\u0131\u015ft\u0131r\u0131lmamal\u0131d\u0131r \u00e7\u00fcnk\u00fc o \u00f6zg\u00fcnd\u00fcr. Di\u011fer sanat dallar\u0131 gibi yapan ki\u015finin yani sanat\u00e7\u0131n\u0131n imzas\u0131n\u0131 ta\u015f\u0131r, kopya de\u011fildir ve bu nedenle her bir par\u00e7an\u0131n sanatsal bir de\u011feri vard\u0131r.\u00a0<\/p>\n

\"serigrafi<\/p>\n

\u00d6z\u00fcn Bask\u0131 \u00c7e\u015fitleri ve Uygulan\u0131\u015f\u0131<\/h2>\n

Bask\u0131n\u0131n bir \u00e7ok \u00e7e\u015fidi vard\u0131r, yayg\u0131n olarak ipek bask\u0131, ta\u015f bask\u0131 yada ah\u015fap gibi teknikler kullan\u0131l\u0131r. Her bir teknikte kendine \u00f6zg\u00fc farkl\u0131 metotlar kullan\u0131l\u0131r. Bask\u0131 ka\u011f\u0131t, tuval, kuma\u015f yada bir ba\u015fka malzemenin \u00fczerine uygulanabilir. T\u00fcm teknikler i\u00e7in sanat\u00e7\u0131 \u00f6n \u00e7al\u0131\u015fma yapar, sanat\u00e7\u0131n\u0131n yapaca\u011f\u0131 ilk i\u015flem resmin nas\u0131l bir g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fcn olaca\u011f\u0131n\u0131n eskizlerini yapmakt\u0131r. Haz\u0131rlanan eskizler daha sonra yap\u0131lacak tekni\u011fe uygun kal\u0131plara i\u015flenir, zaman i\u00e7inde kal\u0131plar\u0131n farkl\u0131 a\u015famalar\u0131nda provalar yap\u0131l\u0131r. Bu provalar\u0131 yaparak ilerleyen sanat\u00e7\u0131 daha sonra arzu etti\u011fi noktaya gelir ve kal\u0131plar \u00e7o\u011faltma yap\u0131lacak a\u015famaya gelir.\u00a0<\/p>\n

\"o-zgu-nbaski.jpg\"<\/p>\n

Kal\u0131plardan ne kadar bask\u0131 yap\u0131lacaksa sanat\u00e7\u0131 hepsini bizzat kendisi uygular ve her bir \u00e7al\u0131\u015fman\u0131n \u00fczerine imzas\u0131n\u0131 koyar. Numaraland\u0131r\u0131lan i\u015flerin tamam\u0131 \u00fcretildikten sonra geride kalan eskizler ve kal\u0131plar imha edilir ki yeniden bas\u0131lmas\u0131 imkans\u0131z hale getirilir. \u00d6zg\u00fcn bask\u0131 di\u011fer resim dallar\u0131na nazaran daha \u00e7ok zaman ve emek gerektirir.<\/p>\n

\"sanatsal<\/p>\n

Bask\u0131 \u00c7e\u015fitleri<\/h2>\n

\u00d6zg\u00fcn Bask\u0131 teknikleri d\u00f6rt ana gruba ayr\u0131l\u0131yor; y\u00fcksek bask\u0131, d\u00fcz bask\u0131, \u015fablon bask\u0131 ve \u00e7ukur bask\u0131. \u00c7ukur bask\u0131lar; grav\u00fcr, d\u00fcz bask\u0131 \u2018litografi’, \u015fablon bask\u0131 \u2018serigrafi’ olarak ayr\u0131l\u0131yor. Y\u00fcksek bask\u0131 denince de linol ve ah\u015fap bask\u0131 akla geliyor. Grav\u00fcr; bir metalin \u00e7ukurla\u015ft\u0131r\u0131larak, sonras\u0131nda ise \u00e7ukurlara boya vermek suretiyle bask\u0131 yap\u0131lan bir tekniktir. Serigrafi; \u00e7ok say\u0131da ve canl\u0131 renk kullanma \u015fans\u0131 olan bir tekniktir. Her renk o resimsel yap\u0131y\u0131 ortaya \u00e7\u0131kart\u0131rken \u00fcst\u00fcste, katman katman olu\u015fturulur. \u00d6rne\u011fin resim onbe\u015f renkten olu\u015fuyorsa, ipekbask\u0131da bir ipek arac\u0131l\u0131\u011f\u0131 ile ipe\u011fe d\u00f6k\u00fclen her bir renk boyan\u0131n ka\u011f\u0131t \u00fczerine ge\u00e7mesi sa\u011flan\u0131r. Resimde ne kadar renk varsa ka\u011f\u0131t o kadar kere ipe\u011fin alt\u0131ndan ge\u00e7erek, her renkte yeniden i\u015flem g\u00f6r\u00fcr.\u00a0<\/p>\n

\"linolyum\"
A\u011fa\u00e7 Bask\u0131<\/p>\n

\"ta\u015f
Ta\u015f Bask\u0131<\/p>\n

\u00d6zg\u00fcn bask\u0131 sanat\u0131n\u0131n en eski tekni\u011fi olan a\u011fa\u00e7 bask\u0131, ilk olarak, M\u0131s\u0131r ve Mezopotamya’da \u0131stampa bi\u00e7iminde kullan\u0131lm\u0131\u015f. Ka\u011f\u0131d\u0131n \u00c7in’de bulunu\u015fu, ayr\u0131ca tahta \u0131stampalar\u0131n m\u00fcrekkeplenip ipek ve ka\u011f\u0131da bas\u0131lmas\u0131, bask\u0131 sanat\u0131na yeni bir boyut katm\u0131\u015f. B\u00f6ylece \u00c7inliler, yaz\u0131dan sonra insanl\u0131k tarihinin en \u00f6nemli ikinci bulu\u015fu olan , bask\u0131 tekni\u011fine de imzalar\u0131n\u0131 atm\u0131\u015flar.\u00a0<\/p>\n

\u00d6zg\u00fcn Bask\u0131n\u0131n T\u00fcrkiye’deki Geli\u015fimi<\/h2>\n

Katip \u00c7elebi’nin Cihann\u00fcma adl\u0131 kitab\u0131ndaki haritalar da \u0130brahim M\u00fcteferrika taraf\u0131ndan \u00e7ukur bask\u0131 tekni\u011fiyle bak\u0131r kal\u0131ptan bas\u0131lm\u0131\u015ft\u0131r. Fakat 1730 y\u0131l\u0131nda \u0130brahim M\u00fcteferrika taraf\u0131ndan ba\u015flat\u0131lan resim kal\u0131b\u0131 yapabilme ise \u00f6zg\u00fcn bask\u0131 sanat\u0131n\u0131n olu\u015fumunu ba\u015flatmam\u0131\u015ft\u0131r. Resimli kitaplar bas\u0131lm\u0131\u015f fakat kitaplardaki resimler sanat eseri olarak kitaplar\u0131n d\u0131\u015f\u0131na \u00e7\u0131kmam\u0131\u015ft\u0131r. Ancak y\u00fczy\u0131l sonra, ta\u015f basma tekni\u011finin \u0130stanbul’a gelmesiyle bask\u0131 resim sanat\u0131na yol a\u00e7\u0131lm\u0131\u015f olur.<\/p>\n

\"ta\u015f<\/p>\n

\u0130lk ta\u015f bask\u0131 at\u00f6lyesi (litografi) 1831 y\u0131l\u0131nda \u0130stanbul’da kurulmu\u015f. Bu bas\u0131mevi ordunun emrindeymi\u015f ve ilk olarak H\u00fcsrev Pa\u015fa’n\u0131n Nuhbet\u00fct-talim adl\u0131 askeri kitab\u0131 bas\u0131lm\u0131\u015f. Bas\u0131mevi 1836’da kapat\u0131l\u0131nca, Kayol karde\u015fler taraf\u0131ndan \u00f6zel bir ta\u015f bask\u0131 at\u00f6lyesi a\u00e7\u0131lm\u0131\u015f. Daha sonra da \u00f6zel ve askeri bas\u0131mevleri a\u00e7\u0131lm\u0131\u015f. \u0130lk \u00f6zg\u00fcn bask\u0131 diyebilece\u011fimiz resimler askerler taraf\u0131ndan bas\u0131lan, e\u011fitim, haritac\u0131l\u0131k gibi konulardaki bro\u015f\u00fcrlermi\u015f. Askeri okullarda resim \u00f6\u011fretmenli\u011fi yapan Hoca Ali R\u0131za \u00e7e\u015fitli ta\u015f bask\u0131lar yapm\u0131\u015f ve bunlar bask\u0131 resim sanat\u0131n\u0131n \u00f6nc\u00fcs\u00fc olmu\u015f.\u00a0<\/p>\n

Kaynak: http:\/\/www.tekstildershanesi.com.tr\/<\/p>\n

Joan Miro<\/h2>\n

20. y\u00fczy\u0131l\u0131n en tan\u0131nm\u0131\u015f ressamlardan biri olan Joan Miro da baz\u0131 resimlerinde ta\u015f bask\u0131 (litografi) sanat\u0131n\u0131 kullanm\u0131\u015ft\u0131r. Miro, 50’lerin sonunda kar\u0131s\u0131 Pillar’\u0131n memleketi Mallorca’ya yerle\u015fmi\u015f. Buradaki harika manzaral\u0131, a\u011fa\u00e7lar aras\u0131ndaki evinde uzun y\u0131llar huzur i\u00e7inde \u00e7al\u0131\u015fm\u0131\u015f. Resim yapmay\u0131 hi\u00e7 b\u0131rakmam\u0131\u015f tabii ve farkl\u0131 y\u00f6ntemler de denemi\u015f burada. Bazen eski bir tahta par\u00e7as\u0131n\u0131n \u00fczerine resim yapm\u0131\u015f, bazen tuvallerinin ortas\u0131n\u0131 yakm\u0131\u015f… Ayr\u0131ca en \u00e7ok seramik, hal\u0131 ve litografi \u00e7al\u0131\u015ft\u0131\u011f\u0131 d\u00f6nem de bu olmu\u015f.<\/p>\n

\"miro<\/p>\n

Ad\u0131n\u0131 Joan Brossa taraf\u0131ndan yaz\u0131lm\u0131\u015f ve sanat\u00e7\u0131ya ithaf edilmi\u015f bir dizi \u015fiirden al\u0131yor. Miro, \u015fiirle \u00e7ok ilgili bir ressamd\u0131 ve \u00e7ok say\u0131da ta\u015f bask\u0131 seriyi \u015fiirlere e\u015flik etsinler diye yapt\u0131. Hatta onu bask\u0131ya bu kadar y\u00f6nelten \u015feyin de \u015fiir oldu\u011fu s\u00f6ylenir. Hareketli enerjik bu resmi bize Miro’nun kad\u0131nlar\u0131ndan birini de g\u00f6steriyor. “Benim kad\u0131n dedi\u011fim, bir canl\u0131 olarak kad\u0131n de\u011fildir, evrenin kendisidir” diye anlat\u0131yor Miro. Bu resimde yukar\u0131ya bakan, sanki \u00e7\u0131\u011fl\u0131k atan bir kad\u0131n var. Mir\u00f3’nun \u00e7ok sevdi\u011fi simgelerinden \u00fc\u00e7 tel sa\u00e7 bu fig\u00fcr\u00fcn de ba\u015f\u0131nda. Miro’nun resimlerinde s\u0131k s\u0131k kulland\u0131\u011f\u0131 k\u0131rm\u0131z\u0131 renkli kad\u0131n cinsel organ\u0131 da yerini alm\u0131\u015f… Ve tabii bir y\u0131ld\u0131zla birlikte… Bir ba\u015fka tipik simgesi ka\u00e7\u0131\u015f merdiveni de resmin alt k\u00f6\u015fesine yerle\u015fmi\u015f. Temel renkler ise sanat\u00e7\u0131n\u0131n tipik k\u0131rm\u0131z\u0131s\u0131 ve sar\u0131s\u0131 ve mavisi\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00d6zg\u00fcn bask\u0131n\u0131n genellikle, tuval resimleri gibi orjinal oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmez. Oysa ki \u00f6zg\u00fcn bask\u0131 teknikleri de t\u0131pk\u0131 di\u011fer resim sanatlar\u0131 gibi farkl\u0131 bir \u00fcretim arac\u0131d\u0131r. Sanatsal bask\u0131da olu\u015fturulan yaz\u0131lar ve resimler \u00e7e\u015fitli malzemeler ve farkl\u0131 teknikler kullan\u0131larak \u00e7o\u011falt\u0131l\u0131r.<\/p>\n","protected":false},"author":1,"featured_media":532,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hikayeler","category-kesfet"],"yoast_head":"\n\u00d6zg\u00fcn Bask\u0131 Sanat\u0131 - Merakl\u0131s\u0131 \u0130\u00e7in - Hobiler, Fikirler<\/title>\n<meta name=\"description\" content=\"\u00d6zg\u00fcn bask\u0131n\u0131n genellikle, tuval resimleri gibi orjinal oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmez. Oysa ki \u00f6zg\u00fcn bask\u0131 teknikleri de t\u0131pk\u0131 di\u011fer resim sanatlar\u0131 gibi farkl\u0131 bir \u00fcretim arac\u0131d\u0131r. Sanatsal bask\u0131da olu\u015fturulan yaz\u0131lar ve resimler \u00e7e\u015fitli malzemeler ve farkl\u0131 teknikler kullan\u0131larak \u00e7o\u011falt\u0131l\u0131r.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.meraklisiicin.com\/blog\/ozgun-baski-sanati\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00d6zg\u00fcn Bask\u0131 Sanat\u0131 - Merakl\u0131s\u0131 \u0130\u00e7in - Hobiler, Fikirler\" \/>\n<meta property=\"og:description\" content=\"\u00d6zg\u00fcn bask\u0131n\u0131n genellikle, tuval resimleri gibi orjinal oldu\u011fu d\u00fc\u015f\u00fcn\u00fclmez. Oysa ki \u00f6zg\u00fcn bask\u0131 teknikleri de t\u0131pk\u0131 di\u011fer resim sanatlar\u0131 gibi farkl\u0131 bir \u00fcretim arac\u0131d\u0131r. 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