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{"id":333,"date":"2014-09-27T00:00:00","date_gmt":"2014-09-26T21:00:00","guid":{"rendered":"http:\/\/localhost:8071\/bir-demet-cicekten-fazlasi-ikebana\/"},"modified":"2014-09-27T00:00:00","modified_gmt":"2014-09-26T21:00:00","slug":"bir-demet-cicekten-fazlasi-ikebana","status":"publish","type":"post","link":"https:\/\/www.meraklisiicin.com\/blog\/bir-demet-cicekten-fazlasi-ikebana\/","title":{"rendered":"Bir demet \u00e7i\u00e7ekten fazlas\u0131: \u0130kebana"},"content":{"rendered":"
Peyzaj desen de\u011fil, \u00e7i\u00e7ek d\u00fczenlemesinden de \u00e7ok daha derin bir mevzu. Yine uzakdo\u011fulardan gelen felsefesi de uygulamas\u0131 kadar ilgi \u00e7ekici bir hobi ile kar\u015f\u0131n\u0131zday\u0131z; ikebana!<\/p>\n
\u0130kebana Japon k\u00f6kenli, ge\u00e7mi\u015fi \u00e7ok eskilere uzanan bir \u00e7i\u00e7ek d\u00fczenleme sanat\u0131. Daha \u00f6nce ele ald\u0131\u011f\u0131m\u0131z konulardan olan bonsaideki gibi bir canl\u0131 heykel olma durumu var desek yeridir.<\/p>\n
\u0130kebana kelimesinin anlam\u0131na gelelim. Japonca ike<\/em> kelimesi canl\u0131 tutmak ve hayat vermek anlam\u0131na geliyor, bana<\/em> ise \u00e7i\u00e7ekler demek. \u0130kebana s\u00f6zc\u00fc\u011f\u00fc farkl\u0131 kaynaklarda “\u00e7i\u00e7ekleri canl\u0131 tutmak”, “\u00e7i\u00e7eklere hayat vermek” veya “ya\u015fayan \u00e7i\u00e7ekler” olarak terc\u00fcme ediliyor.<\/p>\n \u0130kebana sanat\u0131n\u0131n amac\u0131, insan\u0131 ve do\u011fay\u0131 birbirine yakla\u015ft\u0131rmak, do\u011faya ba\u015fka bir g\u00f6zle bakabilmek, canl\u0131 bir d\u00fczenleme ve semboller arac\u0131l\u0131\u011f\u0131yla bir fikri veya duyguyu ifade etmek, mesaj vermek, hatta ya\u015fam ve \u00f6l\u00fcm hakk\u0131nda sorgulamalara yol a\u00e7mak olarak \u00f6zetlenebilir.<\/p>\n \u0130kebana minimalizm ve sembolizmi esas alarak uygulanan bir sanatt\u0131r. Halihaz\u0131rda Japon k\u00fclt\u00fcr\u00fcnde her \u00e7i\u00e7e\u011fin sembolik bir anlam\u0131n\u0131n olmas\u0131 ikebana sanat\u0131n\u0131n do\u011fu\u015funa katk\u0131da bulunmu\u015f olabilir. Ayr\u0131ca, ikebanada, ifade edilen anlam\u0131 desteklemesi amac\u0131yla yaln\u0131zca canl\u0131 \u00e7i\u00e7ekler de\u011fil, dal, yaprak, filiz, solmu\u015f \u00e7i\u00e7ekler, \u00e7ak\u0131l ta\u015flar\u0131 gibi farkl\u0131 do\u011fal malzemeler de kullan\u0131l\u0131r. D\u00fczenlemedeki t\u00fcm elemanlar\u0131n ifadeyi g\u00fc\u00e7lendirmesi ama\u00e7lan\u0131r. \u00d6rne\u011fin, \u00e7i\u00e7eklerin kendisi bug\u00fcn\u00fc, tomurcuklar gelece\u011fi, tohumlar ise ge\u00e7mi\u015fi simgeler.<\/p>\n \u0130kebana 6. y\u00fczy\u0131lda Budist tap\u0131naklar\u0131nda sunaklara konan \u00e7i\u00e7eklere g\u00f6sterilen \u00f6zen ve d\u00fczenlemelerin ta\u015f\u0131d\u0131\u011f\u0131 sembolik anlamlar arac\u0131l\u0131\u011f\u0131yla do\u011fmu\u015f. \u0130lk zamanlarda direk sunak \u00fczerinde yap\u0131lan \u00e7i\u00e7ek d\u00fczenlemeleri, 10. y\u00fczy\u0131la gelindi\u011finde \u00f6zel kaplar, saks\u0131lar veya vazolar i\u00e7inde yap\u0131larak bug\u00fcnk\u00fc ikebana sunumuna yakla\u015fan bir g\u00f6r\u00fcn\u00fcm kazanm\u0131\u015f.<\/p>\n 15. y\u00fczy\u0131lda ikebana klasik bir \u00fcslup olu\u015fturacak kadar yayg\u0131nla\u015fm\u0131\u015f, ekollere ev sahipli\u011fi yapan bir me\u015fgale haline gelmi\u015f ve dini bir rutin olmaktan uzakla\u015fmasa da, ba\u011f\u0131ms\u0131z bir sanat formu olarak da kabul g\u00f6rmeye ba\u015flam\u0131\u015f. Y\u00fczy\u0131llar i\u00e7inde ge\u00e7irdi\u011fi de\u011fi\u015fim ve geli\u015fmelere ra\u011fmen felsefesini her daim korumu\u015f. Yine 15. y\u00fczy\u0131lda “rikka<\/em>” ad\u0131 verilen ve do\u011fan\u0131n g\u00fczelli\u011fini ifade etmeye odaklanan ikebana ekol\u00fc ortaya \u00e7\u0131km\u0131\u015f ve her kesimden ikebana merakl\u0131lar\u0131 aras\u0131nda pop\u00fclerle\u015fmi\u015f.<\/p>\n 16. y\u00fczy\u0131lda ikebana tasar\u0131mlar\u0131nda belirgin bir sadele\u015fme g\u00f6zlenmi\u015f. \u0130kebanalar giderek daha minimalist bir form kazanmaya ba\u015flam\u0131\u015flar. Bu d\u00f6nemde sadeli\u011fi vurgulayan “nageire<\/em>” ekol\u00fc yayg\u0131n olarak uygulanm\u0131\u015f.<\/p>\n 19. y\u00fczy\u0131l ise ikebana sanat\u0131n\u0131n modernle\u015fme \u00e7a\u011f\u0131 olarak g\u00f6r\u00fcl\u00fcyor. \u00dclke d\u0131\u015f\u0131ndan gelen farkl\u0131 t\u00fcrlerde \u00e7i\u00e7eklerin ilk kez ikebanalarda kullan\u0131m\u0131 da bu d\u00f6neme denk geliyor. K\u00fcmelenmi\u015f \u00e7i\u00e7ekler anlam\u0131na gelen “moribana<\/em>” ekol\u00fc de bu d\u00f6nemde ortaya \u00e7\u0131km\u0131\u015f. Moribana ekol\u00fcn\u00fcn amac\u0131 kentle\u015fmeye kar\u015f\u0131 bir duru\u015f sergilemek ve \u015fehirlerde s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f park ve bah\u00e7elerin birebir k\u00fc\u00e7\u00fclt\u00fclerek ikebanalarda temsil edilmesini sa\u011flamakm\u0131\u015f.<\/p>\n Bug\u00fcnlerde Uzakdo\u011fu ve \u00f6zellikle Japon k\u00fclt\u00fcr\u00fc merakl\u0131lar\u0131n\u0131n mutlaka haberdar oldu\u011fu, \u00fclkemizde pek yayg\u0131n olmasa da d\u00fcnya \u00e7ap\u0131nda kurslar\u0131, at\u00f6lyeleri ve sergileri d\u00fczenlenen, olduk\u00e7a ilgi g\u00f6ren bir sanat dal\u0131 ikebana.<\/p>\n Bu sanat\u0131n merakl\u0131lar\u0131 da say\u0131ca hi\u00e7 az\u0131msanacak gibi de\u011filler. D\u00fcnya \u00e7ap\u0131nda yakla\u015f\u0131k 3000’i a\u015fk\u0131n ikebana okulu bulunmas\u0131 da bunun bir i\u015fareti.<\/p>\n \u0130kebanaya merak saranlar i\u00e7in, uygulamaya ge\u00e7meden \u00f6nce kelimenin anlam\u0131n\u0131 tekrar edelim. \u0130kebana “\u00e7i\u00e7ekleri canl\u0131 tutmak”, “\u00e7i\u00e7eklere hayat vermek” ve “ya\u015fayan \u00e7i\u00e7ekler” anlamlar\u0131na geliyor. \u0130kebana yaparken mutlaka akl\u0131n\u0131zda bulundurman\u0131z gereken, belki de tek alt\u0131n kural, bu. \u00c7i\u00e7e\u011fi diriltmeniz veya solmas\u0131na engel olman\u0131z ne yaz\u0131k ki m\u00fcmk\u00fcn de\u011fil. Ancak dal\u0131ndan kopar\u0131ld\u0131ktan sonra kalan \u00f6mr\u00fcn\u00fc uzatmak i\u00e7in yap\u0131labilecekler yok de\u011fil. \u0130kebanan\u0131n felsefi yan\u0131 d\u0131\u015f\u0131nda, teknik beceri gerektiren k\u0131sm\u0131 da i\u015fte burada gizli.<\/p>\n \u0130kebana yaparken \u00e7i\u00e7e\u011fin damarlar\u0131ndaki havan\u0131n bo\u015falt\u0131lmas\u0131, \u00e7i\u00e7e\u011fin \u00f6mr\u00fcn\u00fc uzat\u0131yor. Bunun i\u00e7in \u00e7i\u00e7ekler dal\u0131ndan kopar\u0131l\u0131rken saplar\u0131 su i\u00e7inde kesiliyor veya eziliyor. Bu sayede \u00e7i\u00e7e\u011fin damarlar\u0131ndaki hava kabarc\u0131klar haline d\u0131\u015far\u0131 \u00e7\u0131km\u0131\u015f oluyor. Bu uygulama damarlarda hava yerine su ak\u0131\u015f\u0131n\u0131n sa\u011flanmas\u0131 i\u00e7in gerekli.<\/p>\n \u00c7i\u00e7ekler \u00f6m\u00fcrlerini uzatacak \u015fekilde kesildikten sonra “kenzan<\/em>” ad\u0131 verilen \u00fczeri \u00e7ivili bir ta\u015f\u0131y\u0131c\u0131ya saplanarak d\u00fczenlemeye ba\u015flan\u0131yor. Kenzan bulunmas\u0131 k\u0131smen zor ve olduk\u00e7a pahal\u0131 bir malzeme. Bu y\u00fczden kenzan yerine \u00e7i\u00e7ek mantar\u0131 veya strafor da yayg\u0131n olarak kullan\u0131lan malzemelerden.<\/p>\n Geriye i\u00e7inizdeki sanatsal co\u015fkuyu ve ifade edilmeyi bekleyen duygular\u0131 bu malzemeleri biraraya getirerek ikebanada yans\u0131tmak kal\u0131yor. Sembolizmi ve felsefesi de uygulamas\u0131 kadar ilgin\u00e7 ve ilham verici olan ikebana, bir yandan da meditatif bir eyleme d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n Peyzaj desen de\u011fil, \u00e7i\u00e7ek d\u00fczenlemesinden de \u00e7ok daha derin bir mevzu. Yine uzakdo\u011fulardan gelen felsefesi de uygulamas\u0131 kadar ilgi \u00e7ekici bir hobi ile kar\u015f\u0131n\u0131zday\u0131z; ikebana!<\/p>\n","protected":false},"author":1,"featured_media":475,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hikayeler","category-kesfet"],"yoast_head":"\n\u0130kebana felsefesi<\/h2>\n
\u0130kebana sanat\u0131n\u0131n tarih\u00e7esi<\/h2>\n
\u0130kebana nas\u0131l yap\u0131l\u0131r?<\/h2>\n
\u0130kebanan\u0131n ana malzemesinin dal\u0131ndan kopar\u0131lm\u0131\u015f, ama canl\u0131 bir \u00e7i\u00e7ek olu\u015fu kelimenin anlam\u0131na anlam kat\u0131yor. “Dal\u0131ndan kopmu\u015f \u00e7i\u00e7e\u011fi nas\u0131l canl\u0131 tutaca\u011f\u0131m ki?<\/em>” diye d\u00fc\u015f\u00fcnebilirsiniz. Tela\u015fa mahal yok, bunun da bir p\u00fcf noktas\u0131 var elbette.<\/p>\nYeni ba\u015flayan ikebana merakl\u0131lar\u0131na tavsiyeler<\/h3>\n
\n